• Otis College alumni in the New York/Tri-State area are invited to a reception welcoming visiting Otis College fashion students at Global Brands Group headquarters in the Empire State Building. Join fellow alumni to celebrate the culmination of the Fashion Design Department's annual trip to Manhattan. This special event - open to all alumni from both undergraduate and graduate departments - is a great chance to reconnect with friends, welcome new Fashion Design alumni from the Class of 2017, and meet Otis College leaders including Fashion Design Interim Chair Jill Higashi-Zeleznik.

  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney


    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak


    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.


In Conversation with Author and Alumnus Victor Yates

Jun 16, 2016
Spotlight Category: Alumni

Graduate Writing alumnus Victor Yates' ('14 MFA) debut novel, A Love Like Blood recently received the Lambda Literary Award for LGBT Debut Fiction. An author and educator, here Yates describes how he first got into writing and some of the challenges along the way.  


Can you give us a brief introduction of yourself and your work? 

I enrolled in the Writing Program at Otis College to become a professional writer. And, now I consider myself to be a professional writer. Since graduating from the program, I published my thesis project, a novel titled, A Love Like Blood which was awarded the Lambda Literary Award for LGBT Debut Fiction. I freelance write for three local publications and I have taught various workshops including creative writing, spoken word, and writing for film. I am most proud of a one-day workshop that I taught at USC for LGBT youth and a one week workshop I taught in Malibu for youth affected by or infected with HIV.


When did you first discover your love of writing? 

I discovered my love of writing at 14. I read a poem by Maya Angelou called The Black Family Pledge. Soon after, I started writing poetry, but later moved to newspaper writing and then creative writing.


Publishing a book is a huge goal for many writers and quite an undertaking. How did this come about, and what was the process like for you?

I worked at a library in Ann Arbor, Michigan for a while. Shortly after working there, I started working for a newspaper and then two more newspapers hired me. I did not major in English or Writing in undergrad,  I just read voraciously for the library job and the newspaper jobs. One day, the opening scene for a book came to me - no middle or ending. So my entire approach was different for starting the project and writing the book was challenging. However, thanks to the writing program, I am better prepared and my hope is that the second book project will be easier.


What advice, if any, do you have for young writers?

Read, read, and read. Write, write, and write. Edit, edit, edit, edit, and edit. Then edit more.


What are you currently reading?

The House of the Spirits by Isabel Allende.


How has being a part of the Otis community contributed to your practice? 

I am originally from Florida, but when I moved from Michigan back home, I could not get a writing job. A good friend lived in L.A. and I knew L.A. had a larger writing market, so I started researching writing programs. Otis’ program was a perfect match for me. I loved the curriculum, the writing workshop, and what the instructors were doing. I owe my writing career to the program, specifically the writing instructors, through them I was able to read in the ALOUD Reading Series through Central Library in downtown L.A. It is one of the most prestigious reading series in the country. I have received multiple writing workshop jobs because of Otis. Most importantly, I was able to develop my writing style. I like incorporating strange and unusual images into my writing along with sound and breath. Now, I understand the importance of community, writing workshops, and how to be part of a community. Currently, I work full-time at a trade school in Long Beach, but my  goal is to teach English Comp or Creative Writing at a community college. Because of the program, I feel prepared to do so.


Victor Yates is a graduate of the Graduate Creative Writing program at Otis College. His work has appeared in Windy City Times, Edge, and he is the winner of the Elma Stuckey Writing Award (1st place in poetry). Two of his poems were included in the anthology, “For Colored Boys,” which was edited by Keith Boykin. The anthology won the American Library Association’s Stonewall Book Award. A Love Like Blood is the winner of the Lambda Literary Award for LGBT Debut Fiction and is available on Amazon. Keep up with the writings of Victor Yates by following his blog.

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