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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Metro-Fit

Aug 27, 2013
Spotlight Category: Alumni

by Laura Daroca (’03 MFA)

“At Otis, I was taught that being engaged in your community was key to making art. I learned tools and directions that have guided me throughout my art-making career and my job with Metro.”

With a dedication to collaboration and community, a healthy sense of humor, and a healthy appetite, Alan Nakagawa juggles no fewer than fi ve roles: multidisciplinary artist and recent recipient of the California Community Foundation Mid-Career Fellowship for Visual Artists; administrator for L.A. County Metropolitan Transportation Authority’s public art program; curator of Ear Meal, a weekly webcast dedicated to experimental music and sounds; creator of food blog Café LA LA; and Collage Ensemble leader, a role he’s ending after 28 years. Nakagawa is passionate about art, his hometown, and the communities in which he plays various roles.

For the past twenty years at L.A. Metro, Nakagawa has worked with artists, community members, and designers, coordinating public art projects that contribute to L.A.’s expanding public transportation system. For each rail station, Nakagawa works with community members to develop a neighborhood profi le. Artists submit their responses to these profi les through an open call, and the fi nal selection is made by a panel of community members and arts professionals.

Nakagawa has worked with a variety of Otis-affi liated artists including faculty member Soo Kim, and alumni Roberto Gil de Montes (’74 MFA) and Ricardo Mendoza (’87). Other Metro projects include a trading card series promoting public transportation etiquette; a photo light box series that features work of fi ne art photographers; a poster series of artist-made portraits of L.A. destinations accessible through the Metro system; and a docent-led tour of the public art projects.

So how does Nakagawa’s food blog Café LA LA enter into this picture? With each Metro project, Nakagawa visits new neighborhoods, and discovers the best places to eat. Recommendations from local residents lead him to eateries where he can learn more about the community.

Nakagawa enrolled at Otis in the early 1980s, studying with faculty who taught the fundamentals and nuances of art making and introduced the worlds of contemporary and avant-garde art. At the newly formed Mural Training Program at the Social and Public Art Resource Center (SPARC) run by muralist Judith F. Baca, he learned about mural art, brainstorming, and consensus and team building. Through this experience, Nakagawa understood that art can be a vehicle for social change with successful community collaborations.

Nakagawa also studied painting with muralist Kent Twitchell (’77 MFA), who introduced him to international mail and postal art movements. With his classmates, he curated a show of more than 200 artists from around the world. This group became the collective Collage Ensemble, which Nakagawa explains, led until spring 2012.

“The ability to multitask and administratively create something—to be able to juggle logistics— is something that the performance artists that I was into were able to do. In Hollywood, the ability to make art, promote it, collaborate with people and organizations, and present it is all part of the mix. As a student at Otis in the early ‘80s with the rise of MTV, and icons such as Talking Heads, Laurie Anderson, and Spalding Gray bridging the art and entertainment gap it seemed logical to be able to do all different things and not just solely make art.”

 

Above: Ricardo Mendoza (‘87), mosaic mural at Firestone Station