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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Join Otis’ new President Bruce W. Ferguson and new Director of Galleries and Exhibitions Kate McNamara at a special reception for alumni and friends at the historic National Arts Club.

    Tuesday, October 6, 2015
    7:00 – 9:00 pm

    National Arts Club
    15 Gramercy Park South
    New York, NY 10003
    Business Casual attire is required by the National Arts Club
    For dress code information, visit: www.nationalartsclub.org (under About Us/FAQs)

  • Angela Flournoy’s first novel The Turner House was a Barnes & Noble Discover Great New Writers selection. Her fiction has appeared in The Paris Review, and she has written for The New Republic, The Los Angeles Review of Books and elsewhere. Flournoy has taught at the University of Iowa and Trinity Washington University. She lives in Los Angeles.

  • Adam Linder is a choreographer based between Berlin and Los Angeles, working both in theatre and visual art contexts. He has been developing a dance based  format he calls Choreographic Services since 2013. This aspect of his work is focused on underscoring real time and economic conditions that are integral to the discipline of  choreography. At Otis Linder will introduce this format both conceptually and practically, discussing why 'servicing' is the relevant way for his work to publicly engage.  

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event
    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.
    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.
    October 15, 6:30 - 9:30 pm



Aug 27, 2013
Spotlight Category: Alumni

by Laura Daroca (’03 MFA)

“At Otis, I was taught that being engaged in your community was key to making art. I learned tools and directions that have guided me throughout my art-making career and my job with Metro.”

With a dedication to collaboration and community, a healthy sense of humor, and a healthy appetite, Alan Nakagawa juggles no fewer than fi ve roles: multidisciplinary artist and recent recipient of the California Community Foundation Mid-Career Fellowship for Visual Artists; administrator for L.A. County Metropolitan Transportation Authority’s public art program; curator of Ear Meal, a weekly webcast dedicated to experimental music and sounds; creator of food blog Café LA LA; and Collage Ensemble leader, a role he’s ending after 28 years. Nakagawa is passionate about art, his hometown, and the communities in which he plays various roles.

For the past twenty years at L.A. Metro, Nakagawa has worked with artists, community members, and designers, coordinating public art projects that contribute to L.A.’s expanding public transportation system. For each rail station, Nakagawa works with community members to develop a neighborhood profi le. Artists submit their responses to these profi les through an open call, and the fi nal selection is made by a panel of community members and arts professionals.

Nakagawa has worked with a variety of Otis-affi liated artists including faculty member Soo Kim, and alumni Roberto Gil de Montes (’74 MFA) and Ricardo Mendoza (’87). Other Metro projects include a trading card series promoting public transportation etiquette; a photo light box series that features work of fi ne art photographers; a poster series of artist-made portraits of L.A. destinations accessible through the Metro system; and a docent-led tour of the public art projects.

So how does Nakagawa’s food blog Café LA LA enter into this picture? With each Metro project, Nakagawa visits new neighborhoods, and discovers the best places to eat. Recommendations from local residents lead him to eateries where he can learn more about the community.

Nakagawa enrolled at Otis in the early 1980s, studying with faculty who taught the fundamentals and nuances of art making and introduced the worlds of contemporary and avant-garde art. At the newly formed Mural Training Program at the Social and Public Art Resource Center (SPARC) run by muralist Judith F. Baca, he learned about mural art, brainstorming, and consensus and team building. Through this experience, Nakagawa understood that art can be a vehicle for social change with successful community collaborations.

Nakagawa also studied painting with muralist Kent Twitchell (’77 MFA), who introduced him to international mail and postal art movements. With his classmates, he curated a show of more than 200 artists from around the world. This group became the collective Collage Ensemble, which Nakagawa explains, led until spring 2012.

“The ability to multitask and administratively create something—to be able to juggle logistics— is something that the performance artists that I was into were able to do. In Hollywood, the ability to make art, promote it, collaborate with people and organizations, and present it is all part of the mix. As a student at Otis in the early ‘80s with the rise of MTV, and icons such as Talking Heads, Laurie Anderson, and Spalding Gray bridging the art and entertainment gap it seemed logical to be able to do all different things and not just solely make art.”


Above: Ricardo Mendoza (‘87), mosaic mural at Firestone Station