Events
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.
  • Bring family and friends to reconnect with fellow alumni at the studio of Albert Valdez ('10) following Brewery ArtWalk, an open studio weekend with over 100 participating resident artists.

    Parking is located inside the Brewery campus.  

    Visit www.breweryartwalk.com for directions and other information. 

  • Otis Radio: Our Story`

    May 01| Special Event
    More

    Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Our Story. Join DJ Wormlord (Maggie Gilbert), DJ Ace (Grace Kanchana), and DJ Mango (Stacy Li) as we have real talk in real time. Don't miss out!

     

    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Commons and archived on otisradio.tumblr.com

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is The Girls Room with DJ Lonesome (Jaclyn Arellano), DJ Filth (Mady Preece), DJ Duchamp’s Urinal (Carly Goldstein). In this political climate, it is finally time to take charge of our own bodies and image. No more housewife norms to determine what a woman should look like. Join us in conversation with the tools of music and noise to express what it means to be a woman. We will challenge the definitions and misconceptions about masculinity and femininity, creating a space where women can feel free to ask questions and get answers from other women.

    Listen: http://edg-ord-kxlu.streamguys1.com/klmu

O-Tube

Graduate Writing

Marisa Silver's Thoughtful Fable 'Little Nothing'

A New York Times Editor’s Choice after its release in early September, Little Nothing, the latest offering from Marisa Silver, senior lecturer in the Graduate Writing program, has been garnering national attention and praise.

Otis Graduate Writing is Major Sponsor at AWP2016

Otis Graduate Writing is Major Sponsor at AWP2016
Los Angeles, March 30-April 2, 2016

 

Alumna Jessica M. Wilson

Alumna Jessica M. Wilson (’07 MFA Writing) is a writer, poet, and founder of the Los Angeles Poet Society, an organization that bridges the arts with local communities. Her new book, Serious Longing, is the first English language book of poetry for Swan World, an imprint of Editions du Cygne in Paris, France.

WRIT790 Thesis

A sample of a book-length, publishable project of prose or poetry supervised by the department chair and faculty. The work (100 pgs. of prose, 40 pgs. of poetry) will be submitted to a faculty committee for final approval.

WRIT710 Tutorial: The Writing Life II

Each graduate student will be paired with a Graduate Writing faculty member who is a practitioner in the student’s area of greatest interest. The student and Faculty member will meet one-on-one four to five times during the semester to review student work and discuss related directed reading, and for counseling in the practice of writing, which may include everything from manuscript submission and querying agents to a broader discussion of how the student will be able to sustain an active post-degree writing life. This course may be repeated for credit.

WRIT789 Visiting Writers Series

A series of talks, 7- 8 per semester, featuring visiting poets, fiction writers and essayists from the U.S. and abroad who read and discuss their own work and aspects of contemporary literary culture. A question and answer period follows each talk.

This course may be repeated for credit.

WRIT750 Literary Seminar

These in-depth seminars focus on particular issues or currents in contemporary fiction and poetry, with topics selected from various international literary traditions (e.g., “Poetry’s Public” or “The Ethics of Fiction”) or monographic courses on such figures as Gertrude Stein, William Faulkner, Ezra Pound, James Joyce, or Eudora Welty. This course may be repeated for credit.

WRIT610 Tutorial: The Writing Life I

Each graduate student will be paired with a Graduate Writing faculty member who is a practitioner in the student’s area of greatest interest. The student and Faculty member will meet one-on-one four to five times during the semester to review student work and discuss related directed reading, and for counseling in the practice of writing, which may include everything from manuscript submission and querying agents to a broader discussion of how the student will be able to sustain an active post-degree writing life. This course may be repeated for credit.

WRIT730 Writing Colloquium

A team-taught multi-genre reading seminar developed through a series of Faculty-student conversations in the previous semester that will focus on a literary and-or cultural topic or topics of common interest. While the Faculty will ultimately determine the reading list, the students will help give shape to the course. This course may be repeated for credit.

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