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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Otis in L.A.

Martha Ronk Selected Poems

By Martha Ronk

Senior Lecturer, Graduate Writing


The film breaks into dialogue after long stretches
Of the sort of silence associated with wet roads
And the sounds of tires hissing in the trees as
The wind’s an artificial product of moving toward the horizon
As enclosure’s only a category of mind.
And then the final exchanges about the weather first
And tentative efforts to snare the other’s litany of complaints
The very act of driving was designed to eliminate any sense of.


Literary L.A. - Silver lake

By Peter Gadol
Professor, Graduate Writing


And then it was autumn again, and Saturdays they would wake early when the first clean light came up over the oak and fir at the top of the ridge and eased its way down across their glass house and overgrown slope, down to the pitched yards and shingled cottages along the street below their street, down across timber and brush and fallen limbs, across the boulevard all the way to the patient lake, where it would linger on the water, and ancient and forgiving light by noon.

Literary L.A.

Memory and Daily Life in the Invisible City

By Paul Vangelisti, Founding Chair, Graduate Writing


Time and place operate curiously in the daily and often dull ineptitude of a grammar that might describe such as fictive utility as L.A.


JT Steiny


Senior Lecturer, Communication Arts: Illustration


JT Steiny (’86) contributes illustrations to the Los Angeles Times, USA Today, Smart Money, Sony Records, Rhino Records, and LA Weekly. Everywhere he goes, he draws. An entire series he titles “Drawing While Driving.” In this series, he captures the challenges of dog walking in a car-oriented city.

Annetta Kapon Metro Project


Professor and Assistant Chair, Graduate Fine Arts


Kapon (‘85) created this video to be shown on L.A. Metro buses as part of Freewaves’ “Out the WIndow” project, April 2013. She walked the line between Beverly Hills’ freshly paved streets and Los Angeles pavement’s holes and cracks, capturing both the visual and the auditory contrasts.

Meg Cranston Interview for OMAG

Keeping it Simple and Fresh

Cranston reveals her favorite museums, the book she would take to a desert island, her thoughts on art and media, the pinata, and more.