Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

ben maltz gallery

Two LA-based Artists Reveal 'Patterns Bigger Than Any of Us'

Los Angeles-based artists Jesse Fleming and Pat O’Neill, although distinct in their process and subject matter, each raises questions in their film and video work about the self in relation to others, collective norms, and the built environment.

Acoustic Event Opens 'Anna Craycroft: Tuning the Room' This Weekend

To prepare for her upcoming exhibition Tuning the Room, New York-based artist Anna Craycroft enlisted musician Gregory Lenczycki and sound engineer Ken Goerres to literally tune the room before installation began. In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections.

'Los Angeles Times': Polly Apfelbaum's fallen paintings and beads of devotion...

Reprinted from the Los Angeles Times, October 15, 2016

"A secular chapel might seem an impossible contradiction in terms — an unsustainable union of worldliness and divinity. The mystery of mortality doesn’t merge easily with the empirical here-and-now.

Polly Apfelbaum Unveils ‘Rug-Filled Gallery’ in First Institutional Show in Los Angeles at The Ben Maltz Gallery

LOS ANGELES –The Ben Maltz Gallery at Otis College of Art and Design is pleased to present the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes, on view September 24 – December 4, 2016, the artist’s first solo institutional show in Los Angeles. A public opening reception takes place Saturday, September 24, 4-6pm.

'Grid' Featured in Frieze Magazine's Critic's Guide for Los Angeles

Curator Kate McNamara’s inaugural exhibition at Otis College’s Ben Maltz Gallery references the modernist interest in the grid as a map of time, movement and sound. It also showcases a number of contemporary artists who utilize it as a performative strategy.

Performing the Grid Featured in ARTFORUM

There’s nothing more satisfying than a grid, at least for those daunted by the blank page of unfettered creative freedom. But perhaps the latter is an illusion, and no attempt at creativity exists without constraint.

The sixteen artists in “Performing the Grid,” for instance, take full pleasure in being line-bound.

Performing the Grid Exhibition Featured in Argonaut

From Renaissance masterpieces to contemporary minimalist designs, the grid has been a tool artists use to organize space, time, composition and performance.

But what does it mean to perform on parallel, perpendicular and intersecting lines?

The Otis College of Art and Design exhibit “Performing the Grid” explores how various artists — conceptual artist Bruce Nauman for one, choreographer Lucinda Childs for another — have used this compositional tool to inform their creative practices.

Los Angeles Times Features 'Ralph Bacerra: Exquisite Beauty'

Somewhere ceramist Ralph Bacerra is smiling, says Jo Lauria, curator of "Ralph Bacerra: Exquisite Beauty" at the Ben Maltz Gallery at Otis College of Art and Design in L.A.

Otis College of Art and Design’s Ben Maltz Gallery presents Ralph Bacerra: Exquisite Beauty

LOS ANGELES, CA – September, 2015 – The Ben Maltz Gallery at Otis College of Art and Design is pleased to present Ralph Bacerra: Exquisite Beauty, the first retrospective to document the eye-dazzling ceramics created by Ralph Bacerra (1938–2008), a Los Angeles–based artist known for his innovative approach to surface embellishment.

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