Events
  • Public-Library is a cross-disciplinary design studio in Los Angeles. They construct identities, concepts and experiences for brands through the practice of reduction using fundamental typographic theory and experimentation with space and form.

    Ramón Coronado and Marshall Rake met as design students at Art Center College of Design in Pasadena. After studying, working, and exhibiting independently for many years—both stateside and internationally—their design philosophy and approach brought them back together as Public-Library in 2011.

  • Sandra Lim

    Mar 29| Lectures
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    Sandra Lim is the author of two collections of poetry, Loveliest Grotesque and The Wilderness, winner of the 2013 Barnard Women Poets Prize, selected by Louise Glück. Her work is also included in the anthologies Gurlesque, The Racial Imaginary, and Among Margins: An Anthology on Aesthetics. She has received fellowships from the MacDowell Colony, the Vermont Studio Center, and the Getty Research Institute.

  • Intern Recruitment Day

    Mar 30| Special Event
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    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A quintessentially Los Angeles artist, Larry Johnson has worked for over 4 decades investigating the inherent contradictions between the shiny surfaces and underlying cynical logics of American culture. His works reference the languages of animation (especially the fantasy worlds of Walt Disney), graphic and commercial design, and advertising.

  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

O-Tube

social practice

Public Lecture by Groupo Etcetera from Argentina

Special lecture by Groupo Etcetera from Argentina Galef Building RM 219


Directly following the lecture is Etcetera's FREE 4-day intensive workshop. Guests are invited to attend and encouraged to participate thoroughout the duration of the workshop.

This 4-day intensive, participatory engagement with GRUPO ETCETERA…(Federico Zukerfield and Loreto Garín Guzmán), NO WORK/NO SHOP, will be focused on research and experiment (through “trial and error”) to explore the diverse uses of artistic actions and social imagination strategies to solve common problems.

Making a Statement at Miami Art Week

Art Basel in Miami Beach, and the adjoining fairs, parties, and shows that converge in Miami, offers an annual sampling of contemporary art and culture. Acting as a barometer of the art world, attendees were able to view well-established and emerging artists alike.

Art, Aesthetics, and Activism Collide in the Work of Faculty Andrea Bowers

Andrea Bowers is a political artist who makes artwork that is just as compelling aesthetically as it is conceptually. She says her work is “service to the cause of activism,” but at the same time she looks for “an aesthetic within the subject” to communicate her political message.

Otis College of Art and Design Honors Socially-Engaged Artists; Rick Lowe and Masami Teraoka to Receive Honorary Degrees

LOS ANGELES, CA - Otis College of Art and Design will award honorary doctorates to Rick Lowe, visionary social-practice artist, and Otis alumnus Masami Teraoka (’68 MFA), internationally recognized artist and human rights advocate, at the 2016 Commencement ceremony May 15, 2016. 

ArtNet Features New Work from Faculty Andrea Bowers

When activism finds its way into the art gallery, the house style is what Paige Sarlin calls "new left-wing melancholy," or what I think of as “post-radical chic:" neutralized and neutralizing, mining the paraphernalia of protest for historical pathos. This is not the way Andrea Bowers operates, as you can confirm for yourself if you visit the LA artist's show at Andrew Kreps Gallery in Chelsea, dubbed “Whose Feminism Is It Anyway?"
 

Graduate Open Studios

2016 Graduate Open Studios

MFA Fine Arts
MFA Public Practice 

 

Visit studios and meet MFA students in Fine Arts and Public Practice.

Public Practice Chair Suzanne Lacy Demystifies Social Practice Art for New York Times

Carmen Papalia’s M.F.A. project doesn’t look much like art. For “Blind Field Shuttle,” he led his classmates across the Portland State campus in Oregon on an eyes-closed walking tour, single file, each with a hand on the shoulder of the person in front.

For the first half of the 40-minute walk, some nervous participants had panic attacks, or cried. Mr. Papalia talked about what they were passing — a fire hydrant, a brick wall, a fence — and the vulnerability they were feeling.

Public Practice Chair Suzanne Lacy's Performance on Gender-Based Violence Featured by Huffington Post

In Ecuador, roughly one in six women have experienced physical, sexual or psychological violence. To put it another way, 3 million Ecuadorians have counted themselves a victim of gender-based violence in their lifetime. According to the same Pan American Health Organization research, 38 percent of women in Ecuador have been physically abused, 26 percent sexually abused, and 17 percent have been victims of patrimonial violence. These statistics, however bleak, are still merely numbers. Numbers that look eerily similar to statistics across the globe.

Public Practice Alumni's Michelada Think Tank is Featured by Hyperallergic

LOS ANGELES — It’s a familiar experience for anyone who has had to be the only person of color in a room: the uncomfortable silence around issues of race or the pressure to represent a monolithic identity that doesn’t exist. Over the summer, a group of artists invited the public to talk critically and humorously about race, art, and survival in a context where they could not only vent frustrations but also share resources and build community as people of color.

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