Events
  • Sitting in Sound

    Jul 15| Special Event
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    Image: Electronic Sound Bath
     

  • L: Nora Jane Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception: I Wish I Was a Telephone: Nora Jane Slade and Marisa Takal

    Celebrate the opening of the two-person exhibition of work by Los Angeles-based artists Nora Jane Slade and Marisa Takal.

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

    Opening Reception 3-5pm /  Curator and Artist led walk-thru of the exhibition, 3pm  /  Free

  • Talking to Action

    Sep 17| Exhibition
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    Image: Eduardo Molinari, Confluencia 2: Los Angeles River, 2016.

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

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New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
 

For Face (Geometry) (Naked) Eyes, Apfelbaum has worked with weavers in Oaxaca, Mexico to design and produce four large, 13 x 25 foot area rugs inspired by a Tree of Life mosaic she encountered in Otranto, Italy, as well as LA’s rich history in New Age spirituality, Czech Fluxus artist Sonia Svecova’s eye collages of the 1960s, and Chilean film director Alejandro Jodorowsky’s mystical and religious film Holy Mountain (1973). The 12th century Otranto Cathedral floor mosaic (encountered while living in Italy as a recipient of the Rome Prize in 2012), is unique in that it depicts more than Biblical references, incorporating signs of the zodiac, as well as symbols from Greek, Scandinavian, and even pre-Islamic mythologies. For Apfelbaum, the use of eye imagery serves as a connecting icon, bridging belief systems, new-age and cult symbolism, and the idea of looking and seeking out spirituality.
 

In addition to the new site-specific floor pieces, Face (Geometry) (Naked) Eyes will also include over forty ceramic and wooden sculptures produced between 1988-2016 – many of which have never been exhibited before – as well as handmade ceramic beads suspended on thread. Ceramics and weaving are ancient crafts that take us to many of these mystical and philosophical histories. Visitors will be invited to take their shoes off and spend time in the installation. Public programming for this exhibition will include The Carpet Sessions, a series of conversations between Apfelbaum and invited guests including Chief Curator of the Hammer Museum Connie Butler; art critic and Professor of Art Theory and History at Claremont Graduate University David Pagel; and artist and Professor of Media Arts at UCLA Jennifer Steinkamp. In addition to The Carpet Sessions, New York-based curator and critic Bob Nickas will present the lecture 100 Paintings / 100 Years: 1915-2015 at 356 Mission Gallery. This will be Apfelbaum’s first solo institutional show in Los Angeles

September 2016
24
Special Event
Opening Reception: Polly Apfelbaum: Face (Geometry) (Naked) Eyes
4:00PM - 6:00PM Ben Maltz Gallery
Open to the Public
Free Icon
September 2016
24
2016-09-24 16:00 2016-09-24 18:00
Special Event
Opening Reception: Polly Apfelbaum: Face (Geometry) (Naked) Eyes
4:00PM - 6:00PM | Ben Maltz Gallery
9045 Lincoln Blvd
Open to the Public
Free Icon