Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Amy McFarland

Amy McFarlandAmy McFarlandAmy McFarland

 

Amy McFarland (‘85, Communication Arts) is the senior designer and acting head of the graphic design department at the Los Angeles County Museum of Art.

As McFarland says in her profile from “Fifty People to Watch” [Graphic Design USA, 2002], “the graphic treatment of each exhibition needs to complement what's inside the gallery, not compete. I like to look at each project as if its subject matter had never been seen before by the public. Part of the design process for me is to pinpoint the essential emotions and thoughts prompted by the subject matter and reinterpret these through typography. My ultimate audience is the public, and I am always amazed that people do look at the graphic materials and do have reactions to them.”

McFarland has designed many books as well as graphics for more than 100 exhibitions, featuring such Jasper Johns, Gustav Klimt and Picasso. She received the George Wittenborn award for best art book of 2000 (Ghost in the Shell: Photography and the Human Soul, 1850-2000), and the American Federation of Arts best exhibition graphics award for “When Art Became Fashion: Kosode in Edo-Period Japan.”

 

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