Events
  • Joint Venture

    Dec 10| Exhibition
    More

    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
    More

    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
    More

    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
    More

    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

  • Opening Reception

    Jan 28| Special Event
    More

    In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections. New York-based artist Anna Craycroft applies this technique both literally and metaphorically to the Ben Maltz Gallery for her exhibition Tuning the Room. Craycroft’s exhibition asks that we consider how the specific characteristics of an environment shape our experience within it, and how we become attuned in return.

  • Robin Coste Lewis won the National Book Award for Voyage of the Sable Venus. Her writing has appeared in The Massachusetts Review, Callaloo, The Harvard Gay & Lesbian Review, Transition: Women in Literary Arts, VIDA, Phantom Limb, and Lambda Literary Review. She has taught at Wheaton, Hunter, Hampshire, and the NYU Low-Residency MFA in Paris. Lewis is a fellow of Cave Canem and of the Los Angeles Institute for the Humanities, as well as a Provost’s Fellow in Poetry and Visual Studies at USC.

  • Solmaz Sharif

    Mar 01| Lectures
    More

    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

O-Tube

Norman Zammitt

Norman ZammittNorman ZammittNorman Zammitt

 

Norman Zammitt was (1931-2007) raised on the Mohawk [Caughnawaga Indian] reservation near Montreal. After serving in the U.S. Air Force during the Korean War, he returned to America, graduated from Pasadena City College in 1957, and earned his MFA ('61) from Otis in 1961. He taught art at California Institute of the Arts, USC, and UCLA during his long career as an artist.

His often mural-sized works can now be found in private collections as well as at the Museum of Modern Art, the Hirschhorn Collection, and the Corcoran Gallery. His straight-edge style suggested mathematics and engineering, some reviewers observed; others posited that the ethereal element in his art seemed to rise up out of the geometry by intention. Often his work was said to create a “meditative mood.”

“Zammitt crafted meticulous bands of color in subtle gradations and shades in his paintings,” noted the Los Angeles Times. “Many of them evoke sunsets, deserts and other scenes in nature. And according to Carol Eliel, curator of modern and contemporary art at the Los Angeles County Museum of Art, “[Zammitt] translated the light and landscape of California to paint. He wanted to include the more spiritual aspects of the California landscape in his work.”

Still, Eliel notes that Zammitt’s art didn’t fit neatly into a single school or movement, though his interest in capturing light and space related his work to that of such artists as Larry Bell and Robert Irwin (’50). At the same time, his precision and a preference for sleek surfaces related his creations to the art of Billy Al Bengston (‘57), among other Otis-trained California artists who rose to prominence in the 1970s.

Of his art, Zammitt once wrote to an Otis colleague: “The artist’s first responsibility is to his own truth. For me, art is a responsibility to myself, to my own sincere thoughts. To keep in contact with that is a constant struggle. […] To recreate an old form or create a new form is not necessarily the most important concern. Form should be a result, a sincere statement of integrity; form happens as part of a desire to make a statement straight from the heart. Form seems to always be there, and the need to express it becomes stronger and stronger. Each expression does not slowly exhaust the source, but on the contrary, the artist cannot keep up with what he has to say. […] For me, this has become a way of life. I never planned it to be this way, but I am glad about it. Nothing else makes me feel more right, more my own self.”

Click here for more information

 

Otis College Ranked 6th in Nation by The Economist