Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Patssi Valdez

Patssi ValdezPatssi ValdezPatssi ValdezPatssi Valdez

 

Patssi Valdez ('85), recipient of the Congressional Hispanic Caucus Institute Latina of Excellence Award, Flintridge fellowship, Durfee Foundation Grant, a J. Paul Getty Fellowship Grant, and an NEA in painting, has remained particularly active in the West Coast art scene.

Her work is a part of the traveling exhibition Chicano Visions: American Painters on the Verge, curated by Cheech Marin, touring through 2008. Venues for that exhibition include the Smithsonian Institution, the De Young Fine Arts Museum (San Francisco), and LACMA.

Growing up in East Los Angeles, she became the only female among the seminal, four-member Chicano art group ASCO ("nausea" in Spanish). ASCO's members included the well-known photographer Harry Gamboa and artists Willie Herron and Gronk. ASCO expanded the definition of Chicano art beyond murals and posters by experimenting with a range of art forms, including street performance, photographic montage, pageantry, and conceptual art.

Valdez' work speaks volumes not just in her use of spectacular color, but by the intentional omissions in her paintings, such as a dressing table strewn with souvenirs (and just Valdez's mirrored reflection).

Says writer Rita Gonzalez, "It is everyday and domestic life, with its textures and subtly shifting ambiences that has continued as a constant in Valdez' work."

Valdez is represented by the Patricia Correia Gallery (Santa Monica) and Carlotta's Passion (Eagle Rock) and exhibited at the San Jose Art Museum. A traveling fifty-piece survey of her work took place at the Mexican Museum (San Francisco) and the Laguna Art Museum (Laguna Beach).

Since the mid-1990s, she has been an art consultant for such films as La Familia (1995) and Production Designer for Luminaries (1998). 

 

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