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Events
  • Bauhaus Dances

    Feb 07| Screening
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    Bauhaus Dances, 1986 presented by Debra McCall
    Sunday, February 7, 4pm, Otis Forum, Free

  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Patssi Valdez

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Patssi Valdez ('85), recipient of the Congressional Hispanic Caucus Institute Latina of Excellence Award, Flintridge fellowship, Durfee Foundation Grant, a J. Paul Getty Fellowship Grant, and an NEA in painting, has remained particularly active in the West Coast art scene.

Her work is a part of the traveling exhibition Chicano Visions: American Painters on the Verge, curated by Cheech Marin, touring through 2008. Venues for that exhibition include the Smithsonian Institution, the De Young Fine Arts Museum (San Francisco), and LACMA.

Growing up in East Los Angeles, she became the only female among the seminal, four-member Chicano art group ASCO ("nausea" in Spanish). ASCO's members included the well-known photographer Harry Gamboa and artists Willie Herron and Gronk. ASCO expanded the definition of Chicano art beyond murals and posters by experimenting with a range of art forms, including street performance, photographic montage, pageantry, and conceptual art.

Valdez' work speaks volumes not just in her use of spectacular color, but by the intentional omissions in her paintings, such as a dressing table strewn with souvenirs (and just Valdez's mirrored reflection).

Says writer Rita Gonzalez, "It is everyday and domestic life, with its textures and subtly shifting ambiences that has continued as a constant in Valdez' work."

Valdez is represented by the Patricia Correia Gallery (Santa Monica) and Carlotta's Passion (Eagle Rock) and exhibited at the San Jose Art Museum. A traveling fifty-piece survey of her work took place at the Mexican Museum (San Francisco) and the Laguna Art Museum (Laguna Beach).

Since the mid-1990s, she has been an art consultant for such films as La Familia (1995) and Production Designer for Luminaries (1998). 

 

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