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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Sandow Birk

Sandow BirkSandow BirkSandow Birk

 

Born in Detroit in 1962 and currently living in Los Angeles, Birk ('88) has established a reputation that has grown exponentially over the years.

A winner of the J. Paul Getty Fellowship for Visual Arts, a Fulbright Scholarship, and a Guggenheim Fellowship, Birk has exhibited his work internationally, and been featured in recent years at the San Diego Museum of Art, the Santa Barbara Contemporary Arts Forum, the Samuel Dorsky Museum of Art (SUNY/New Paltz, N.Y.), San Jose Museum of Art, Katzen Art Center (Washington, D.C.), and the Laguna Art Museum (Laguna Beach).

He has been featured in Harper's Magazine, The New York Times, Washington Post, Wall Street Journal, London Guardian, Art News, the Los Angeles Times, the San Francisco Chronicle, and on National Public Radio.

Art critic Ray Zone notes, "Birk's drawings are sombre, filled with a dark somnolence. But there is great wit in small details and, as with all of Birk's oeuvre, a fine and dry satire quietly evident."

"For over a decade, Birk has revisited historical genres and come up with satirical contemporary turns on age-old human foibles. In Birk's busy and capable hands, everything old is new again and it all takes place in a post-apocalyptic California littered with the remains of popular culture."

"Whether he's ridiculing fascism with his Prisonation series or aping historical works in the Great War of the Californias, Birk is Southern California's preeminent artist of dystopia."

www.sandowbirk.com