Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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MFA Fine Arts

In a high-ceilinged warehouse in Culver City's burgeoning arts district, students have individual skylighted studios. Working with distinguished practicing artist faculty members, they develop a “personal vision” that has been filtered through history, gender, sexuality, culture and politics.They acquire the necessary technical and theoretical resources to develop an understanding of the demands of a professional practice. The program promotes strong interaction and critical dialogue among all participants, encouraging students to converse in the language of art. Students produce work that reflects their ideas, needs and ambitions, as well as the challenges of the artistic environment and contemporary issues and concerns.

Students and faculty alike help determine the direction of the program. Through student exchanges with the Sandberg Institute in Amsterdam, students gain a broader context. At the same time, the intimate community reflects the real working of the multilayered and diverse art, design and literary worlds, removing the walls between faculty and students.

Graduate students are accepted for admission in fall term. Spring admission is on a space-available basis only and arrangements must be made with the Graduate Chair. All named scholarships are awarded by the graduate faculty according to admissions ranking. They do not require a separate application; all accepted applicants are automatically considered. For information on how to apply for other forms of financial aid please contact admissions. Completed MFA application forms and required supporting documents must be on file at the Admissions Office by January 15 for the Fall Semester or November 1 for the Spring Semester.

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