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  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

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Made in LA features faculty, alumni

Hammer Museum exhibition

The Hammer Museum's biennial Made in LA, through Sept 7, features work by alumni Tony Greene '85, Kim Fisher MFA '98, Juan Capistran '99, and Mike Frimkess MFA '57. The curators selected 35 artists, with an emphasis on those who are emerging and under recognized. The exhibition debuts recent work and new painting, installation, video, sculpture, photography, and performances created specifically for the exhibition.

One of the under recognized artists in the exhibition is alumnus Tony Greene (‘85), who died of AIDS in 1990. His paintings have not been exhibited or recognized since 1995. One room at the Hammer contains the exhibition Amid Voluptuous Calm, which excavates Greene’s oeuvre, placing it in dialogue with other queer artists in Los Angeles whose work similarly tackles issues of desire, mortality, and trauma. Among those artists is faculty member Judie Bamber.  This “show-within-a-show” hints at the numerous ways visual art, poetry, activism, performance, and S&M converge, and how notions of queerness inform artistic production.

Alumnus Michael Frimkess (’57) and his wife Magdalena Suarez Frimkess have been making ceramic work since Michael graduated from Otis, continuing the tradition that Peter Voulkos began in the 1950s. They collaborate on work that comments on contemporary life with imagery from comic books, scenes from South American villages, and Picasso masterpieces. YouTube Video

Also included in Made in LA are site-specific pieces by Juan Capistran ’99 and Kim Fisher MFA ’98.

Faculty member Lauren Mackler shows work from her enterprise Public Fiction, characterized by the LA TImes as "a social hub and a destination for creative experimentation for dozens of emerging and well-known artists."

"It's something you see internationally," curator Connie Butler says. "But we felt that right here, right now, there's a certain vitality around these groups in L.A." Mackler chooses a topic for each show, then invites artists to create work — visual artworks, lectures, performances, screenings, musical acts, fiction, anything goes — around that idea. Each exhibition's three-month run culminates in a printed journal Mackler creates, featuring new works inspired by the show.

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