Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their work is just as distinctive. JW & Melissa Buchanan first made a name for themselves through their silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, they've continued their fine art pursuits through exhibitions, lectures, and artists’ residencies, spreading the gospel of silkscreen to anyone inclined to listen.

  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Made in LA features faculty, alumni

Hammer Museum exhibition

The Hammer Museum's biennial Made in LA, through Sept 7, features work by alumni Tony Greene '85, Kim Fisher MFA '98, Juan Capistran '99, and Mike Frimkess MFA '57. The curators selected 35 artists, with an emphasis on those who are emerging and under recognized. The exhibition debuts recent work and new painting, installation, video, sculpture, photography, and performances created specifically for the exhibition.

One of the under recognized artists in the exhibition is alumnus Tony Greene (‘85), who died of AIDS in 1990. His paintings have not been exhibited or recognized since 1995. One room at the Hammer contains the exhibition Amid Voluptuous Calm, which excavates Greene’s oeuvre, placing it in dialogue with other queer artists in Los Angeles whose work similarly tackles issues of desire, mortality, and trauma. Among those artists is faculty member Judie Bamber.  This “show-within-a-show” hints at the numerous ways visual art, poetry, activism, performance, and S&M converge, and how notions of queerness inform artistic production.

Alumnus Michael Frimkess (’57) and his wife Magdalena Suarez Frimkess have been making ceramic work since Michael graduated from Otis, continuing the tradition that Peter Voulkos began in the 1950s. They collaborate on work that comments on contemporary life with imagery from comic books, scenes from South American villages, and Picasso masterpieces. YouTube Video

Also included in Made in LA are site-specific pieces by Juan Capistran ’99 and Kim Fisher MFA ’98.

Faculty member Lauren Mackler shows work from her enterprise Public Fiction, characterized by the LA TImes as "a social hub and a destination for creative experimentation for dozens of emerging and well-known artists."

"It's something you see internationally," curator Connie Butler says. "But we felt that right here, right now, there's a certain vitality around these groups in L.A." Mackler chooses a topic for each show, then invites artists to create work — visual artworks, lectures, performances, screenings, musical acts, fiction, anything goes — around that idea. Each exhibition's three-month run culminates in a printed journal Mackler creates, featuring new works inspired by the show.

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