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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Made in LA features faculty, alumni

Hammer Museum exhibition

The Hammer Museum's biennial Made in LA, through Sept 7, features work by alumni Tony Greene '85, Kim Fisher MFA '98, Juan Capistran '99, and Mike Frimkess MFA '57. The curators selected 35 artists, with an emphasis on those who are emerging and under recognized. The exhibition debuts recent work and new painting, installation, video, sculpture, photography, and performances created specifically for the exhibition.

One of the under recognized artists in the exhibition is alumnus Tony Greene (‘85), who died of AIDS in 1990. His paintings have not been exhibited or recognized since 1995. One room at the Hammer contains the exhibition Amid Voluptuous Calm, which excavates Greene’s oeuvre, placing it in dialogue with other queer artists in Los Angeles whose work similarly tackles issues of desire, mortality, and trauma. Among those artists is faculty member Judie Bamber.  This “show-within-a-show” hints at the numerous ways visual art, poetry, activism, performance, and S&M converge, and how notions of queerness inform artistic production.

Alumnus Michael Frimkess (’57) and his wife Magdalena Suarez Frimkess have been making ceramic work since Michael graduated from Otis, continuing the tradition that Peter Voulkos began in the 1950s. They collaborate on work that comments on contemporary life with imagery from comic books, scenes from South American villages, and Picasso masterpieces. YouTube Video

Also included in Made in LA are site-specific pieces by Juan Capistran ’99 and Kim Fisher MFA ’98.

Faculty member Lauren Mackler shows work from her enterprise Public Fiction, characterized by the LA TImes as "a social hub and a destination for creative experimentation for dozens of emerging and well-known artists."

"It's something you see internationally," curator Connie Butler says. "But we felt that right here, right now, there's a certain vitality around these groups in L.A." Mackler chooses a topic for each show, then invites artists to create work — visual artworks, lectures, performances, screenings, musical acts, fiction, anything goes — around that idea. Each exhibition's three-month run culminates in a printed journal Mackler creates, featuring new works inspired by the show.

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