Events
  • Margo Victor

    Sep 29| Lectures
    More

    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
    More

    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
    More

    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
    More

    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Ceramics

Hyperallergic on the Legacy and Revival of Ceramics

PARIS — Conversations about art and medium-specificity are almost always conversations about history. Yet in our postmodern, post-media times we have tended to shy away from the Greenbergian concept of medium-specificity as a particularly relevant principle for organizing historical exhibitions. Partially defying this trend, curators Camille Morineau and Lucia Pesapane give us Ceramix, a sweeping, historical, ceramic-specific survey of the 20th and 21st centuries, with some earlier works mixed in for context.

Fine Arts Alumnus Eduardo Sarabia Awarded Mike Kelley Foundation Grant

Launched in June of last year, the Artist Project Grants seek to further Mike Kelley’s philanthropic work and honour his legacy by supporting innovative projects with visual artists at L.A. non-profit institutions and organisations. The goal is to benefit both visual artists and arts organizations alike and to support compelling and inventive projects in any medium, particularly work that is under-known, or has proven difficult to make or to fund.

Alumna Keiko Fukazawa exhibit Made in China Reviewed by LA Times

Keiko Fukazawa's ('86 MFA Ceramics) "Spout Monster #1" is an unassuming little smart bomb, a precision-guided work of art that explodes aesthetic conventions by uncovering buried social and political content in ordinary found objects.

The porcelain sculpture, included in the modest but captivating survey of Fukazawa's recent ceramics newly opened at the Craft and Folk Art Museum, is composed from two shallow, footed bowls. They are stacked rim to rim and fused together in the kiln, looking like a little flying saucer.

Alumnus Diego Romero Awarded United States Artists Fellowship

Firmly positioning his work within an Indigenous visuality, Diego Romero has built a career constructing ceramic vessels that elevate Pueblo life to Olympian stature. A third generation professional artist, Romero was born and raised in Berkeley, California to a Cochiti father and a non-Native mother.

Los Angeles Times Features 'Ralph Bacerra: Exquisite Beauty'

Somewhere ceramist Ralph Bacerra is smiling, says Jo Lauria, curator of "Ralph Bacerra: Exquisite Beauty" at the Ben Maltz Gallery at Otis College of Art and Design in L.A.

Alumnus Paul Soldner

"As an artist, I work with clay, bronze, photos and prints. From these mediums, I make objects for use. But their uses are varied. Some are functional, some are not. They are meant to sometimes surprise. Disgust or delight. Although made to be used. Use not be common. In its highest sense, such use is in the spirit. Of celebration. Of life. Enhanced.

ArtScene Reviews AMOCA'S 10th Anniversary Exhibition, Curated By Faculty Jo Lauria

ArtScene, June 2015 Publication
By Scarlet Cheng
 

Los Angeles Modern Auctions Features Otis College and the Ceramic Revolution

Peter’s Auction Pick of the Day: Otis College and the Ceramic Revolution

 
The Los Angeles County Art Institute, which became the Otis College of Art and Design, was at the center of ceramic’s evolution as an artistic medium in America. In 1954 Peter Voulkos became head of its ceramics department. He brought with him energy, strength and a bold streak influenced by Abstract Expressionism–all new elements for the discipline.
 

The Marks Project: Joan Takayama-Ogawa

Joan Takayama-Ogawa

Product Design Faculty Joan Takayama-Ogawa has been identified by The Marks Project as one of the top 50 American Ceramic Artists, which requires Joan to document the artist signature throughout her career for future authentication. 

Pages