Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Ceramics

Hyperallergic on the Legacy and Revival of Ceramics

PARIS — Conversations about art and medium-specificity are almost always conversations about history. Yet in our postmodern, post-media times we have tended to shy away from the Greenbergian concept of medium-specificity as a particularly relevant principle for organizing historical exhibitions. Partially defying this trend, curators Camille Morineau and Lucia Pesapane give us Ceramix, a sweeping, historical, ceramic-specific survey of the 20th and 21st centuries, with some earlier works mixed in for context.

Fine Arts Alumnus Eduardo Sarabia Awarded Mike Kelley Foundation Grant

Launched in June of last year, the Artist Project Grants seek to further Mike Kelley’s philanthropic work and honour his legacy by supporting innovative projects with visual artists at L.A. non-profit institutions and organisations. The goal is to benefit both visual artists and arts organizations alike and to support compelling and inventive projects in any medium, particularly work that is under-known, or has proven difficult to make or to fund.

Alumna Keiko Fukazawa exhibit Made in China Reviewed by LA Times

Keiko Fukazawa's ('86 MFA Ceramics) "Spout Monster #1" is an unassuming little smart bomb, a precision-guided work of art that explodes aesthetic conventions by uncovering buried social and political content in ordinary found objects.

The porcelain sculpture, included in the modest but captivating survey of Fukazawa's recent ceramics newly opened at the Craft and Folk Art Museum, is composed from two shallow, footed bowls. They are stacked rim to rim and fused together in the kiln, looking like a little flying saucer.

Alumnus Diego Romero Awarded United States Artists Fellowship

Firmly positioning his work within an Indigenous visuality, Diego Romero has built a career constructing ceramic vessels that elevate Pueblo life to Olympian stature. A third generation professional artist, Romero was born and raised in Berkeley, California to a Cochiti father and a non-Native mother.

Los Angeles Times Features 'Ralph Bacerra: Exquisite Beauty'

Somewhere ceramist Ralph Bacerra is smiling, says Jo Lauria, curator of "Ralph Bacerra: Exquisite Beauty" at the Ben Maltz Gallery at Otis College of Art and Design in L.A.

Alumnus Paul Soldner

"As an artist, I work with clay, bronze, photos and prints. From these mediums, I make objects for use. But their uses are varied. Some are functional, some are not. They are meant to sometimes surprise. Disgust or delight. Although made to be used. Use not be common. In its highest sense, such use is in the spirit. Of celebration. Of life. Enhanced.

ArtScene Reviews AMOCA'S 10th Anniversary Exhibition, Curated By Faculty Jo Lauria

ArtScene, June 2015 Publication
By Scarlet Cheng
 

Los Angeles Modern Auctions Features Otis College and the Ceramic Revolution

Peter’s Auction Pick of the Day: Otis College and the Ceramic Revolution

 
The Los Angeles County Art Institute, which became the Otis College of Art and Design, was at the center of ceramic’s evolution as an artistic medium in America. In 1954 Peter Voulkos became head of its ceramics department. He brought with him energy, strength and a bold streak influenced by Abstract Expressionism–all new elements for the discipline.
 

The Marks Project: Joan Takayama-Ogawa

Joan Takayama-Ogawa

Product Design Faculty Joan Takayama-Ogawa has been identified by The Marks Project as one of the top 50 American Ceramic Artists, which requires Joan to document the artist signature throughout her career for future authentication. 

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