Events
  • Public-Library is a cross-disciplinary design studio in Los Angeles. They construct identities, concepts and experiences for brands through the practice of reduction using fundamental typographic theory and experimentation with space and form.

    Ramón Coronado and Marshall Rake met as design students at Art Center College of Design in Pasadena. After studying, working, and exhibiting independently for many years—both stateside and internationally—their design philosophy and approach brought them back together as Public-Library in 2011.

  • Sandra Lim

    Mar 29| Lectures
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    Sandra Lim is the author of two collections of poetry, Loveliest Grotesque and The Wilderness, winner of the 2013 Barnard Women Poets Prize, selected by Louise Glück. Her work is also included in the anthologies Gurlesque, The Racial Imaginary, and Among Margins: An Anthology on Aesthetics. She has received fellowships from the MacDowell Colony, the Vermont Studio Center, and the Getty Research Institute.

  • Intern Recruitment Day

    Mar 30| Special Event
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    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.5 by Michiel Riedijk at MOCA.

     

    Michiel Riedijk regularly lectures at universities, cultural institutions and symposia worldwide. His theories and writings on architecture have gained international recognition from fellow architects and scholars. The work of Neutelings Riedijk Architects has received worldwide appreciation through numerous publications, international awards and exhibitions around the world. - Neutelings Riedijk Architects

O-Tube

Ceramics

Hyperallergic on the Legacy and Revival of Ceramics

PARIS — Conversations about art and medium-specificity are almost always conversations about history. Yet in our postmodern, post-media times we have tended to shy away from the Greenbergian concept of medium-specificity as a particularly relevant principle for organizing historical exhibitions. Partially defying this trend, curators Camille Morineau and Lucia Pesapane give us Ceramix, a sweeping, historical, ceramic-specific survey of the 20th and 21st centuries, with some earlier works mixed in for context.

Fine Arts Alumnus Eduardo Sarabia Awarded Mike Kelley Foundation Grant

Launched in June of last year, the Artist Project Grants seek to further Mike Kelley’s philanthropic work and honour his legacy by supporting innovative projects with visual artists at L.A. non-profit institutions and organisations. The goal is to benefit both visual artists and arts organizations alike and to support compelling and inventive projects in any medium, particularly work that is under-known, or has proven difficult to make or to fund.

Alumna Keiko Fukazawa exhibit Made in China Reviewed by LA Times

Keiko Fukazawa's ('86 MFA Ceramics) "Spout Monster #1" is an unassuming little smart bomb, a precision-guided work of art that explodes aesthetic conventions by uncovering buried social and political content in ordinary found objects.

The porcelain sculpture, included in the modest but captivating survey of Fukazawa's recent ceramics newly opened at the Craft and Folk Art Museum, is composed from two shallow, footed bowls. They are stacked rim to rim and fused together in the kiln, looking like a little flying saucer.

Alumnus Diego Romero Awarded United States Artists Fellowship

Firmly positioning his work within an Indigenous visuality, Diego Romero has built a career constructing ceramic vessels that elevate Pueblo life to Olympian stature. A third generation professional artist, Romero was born and raised in Berkeley, California to a Cochiti father and a non-Native mother.

Los Angeles Times Features 'Ralph Bacerra: Exquisite Beauty'

Somewhere ceramist Ralph Bacerra is smiling, says Jo Lauria, curator of "Ralph Bacerra: Exquisite Beauty" at the Ben Maltz Gallery at Otis College of Art and Design in L.A.

Alumnus Paul Soldner

"As an artist, I work with clay, bronze, photos and prints. From these mediums, I make objects for use. But their uses are varied. Some are functional, some are not. They are meant to sometimes surprise. Disgust or delight. Although made to be used. Use not be common. In its highest sense, such use is in the spirit. Of celebration. Of life. Enhanced.

ArtScene Reviews AMOCA'S 10th Anniversary Exhibition, Curated By Faculty Jo Lauria

ArtScene, June 2015 Publication
By Scarlet Cheng
 

Los Angeles Modern Auctions Features Otis College and the Ceramic Revolution

Peter’s Auction Pick of the Day: Otis College and the Ceramic Revolution

 
The Los Angeles County Art Institute, which became the Otis College of Art and Design, was at the center of ceramic’s evolution as an artistic medium in America. In 1954 Peter Voulkos became head of its ceramics department. He brought with him energy, strength and a bold streak influenced by Abstract Expressionism–all new elements for the discipline.
 

The Marks Project: Joan Takayama-Ogawa

Joan Takayama-Ogawa

Product Design Faculty Joan Takayama-Ogawa has been identified by The Marks Project as one of the top 50 American Ceramic Artists, which requires Joan to document the artist signature throughout her career for future authentication. 

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