Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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Alumnus Kenzi Shiokava and Fine Arts Faculty Adam Linder Receive Mohn Awards

The Hammer Museum announced the recipients of the Mohn Awards presented in conjunction with Made in L.A. 2016: a, the, though, only, organized by Hammer curator Aram Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society.

Art, Aesthetics, and Activism Collide in the Work of Faculty Andrea Bowers

Andrea Bowers is a political artist who makes artwork that is just as compelling aesthetically as it is conceptually. She says her work is “service to the cause of activism,” but at the same time she looks for “an aesthetic within the subject” to communicate her political message.

Faculty Laddie John Dill Installation On View at MoMA

Laddie John Dill's Light and Sand Installation will be on view at Museum of Modern Art in New York City, New York from June 28th, 2016 through March 2017. 

MoMa's exhibition, curated by Cara Manes, Assistant Curator for Painting and Sculpture, features artworks from MoMA's permanent collection and includes artists Larry Bell, Robert Smithson, and Richard Artschwager. 

Kelly Akashi and Laida Lertxundi Exhibiting at Hammer Museum

Opening on June 12th, the Hammer Museum's Made in L.A.

Social Practice Art the Gestalt of CURRENT:LA

A recent mayoral announcement officially launched the Department of Cultural Affairs’ new Current:LA initiative, an issues-driven public art biennial whose inaugural edition happens at non-traditional locations scattered across the city in July and August. The first edition, Current:LA Water, addresses the multivalent topic of water’s usage, history, and role in the city’s physical and social infrastructure. This includes the L.A. River, but as the organizers are quick to point out, it is about so much more than just the river.

Fine Arts Faculty Exhibiting in Current:LA

Fine Arts faculty members Kori Newkirk and Joshua Callaghan have been selected for the City of LA's first public art biennial, Current:LA. More than a dozen artists were chosen for the inaugural biennial which hopes to democra

Faculty Karen Moss Part of Curatorial Team Behind CURRENT:LA

More than a dozen artists — including L.A.-based Kori Newkirk, Edgar Arceneaux, Gala Porras-Kim and Michael Parker — have been selected to participate in Los Angeles' first public art biennial, Mayor Eric Garcetti announced at a news conference early Tuesday afternoon.

The "Current:LA Water" exhibition will consist of temporary outdoor installations that will go up throughout the city this summer, all focused on the theme of water.

Alumnus Lorenzo Hurtado Segovia Unveils New Mural in La Jolla

Lorenzo Hurtado Segovia’s ('07 MFA Painting) mural, Demos Gracias, is a vibrant expression of gratitude and optimism. The title, Demos Gracias, translates to a call for thanksgiving. A golden sunburst emanates throughout the composition and creates a warm and lively glow, which transcends the image into a heavenly space above.

Graduate Writing Professor Paul Vangelisti Publishes 33rd Book of Poetry

Graduate Writing Professor Paul Vangelisti has published his thirty-third book of poetry. Border Music, a collection of new work from 2006-2014, will be out from Talisman House later this month.

Cathy Lightfoot's Sensation of Color

In 2013, Cathy Lightfoot, Adjunct Associate Professor, started an informal exploration of color relationships in her sketchbook. A painter, Lightfoot used the series of informal gouache exercises to explore color gradations, and color relationships that appear to generate light energy. The project grew into a focused and systematic investigation numbering over 120 gouache paintings that she intended to arrange in combinations for use when planning her larger paintings.

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