Lotería is to the pastel drawings of Judithe Hernández ('74) what the I Ching was to John Cage’s avant-garde music after World War II or the “Three Standard Stoppages” were to the Dada objects of Marcel Duchamp a century ago.
At the summit of a steep incline in Elysian Heights, past an unassuming gate, down a slightly dangerous walkway, you’ll find a concrete landing that serves as the plein-air home studio of Gajin Fujita.
