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Centennial: 100 Years of Otis College Alumni

Alison SaarBen Maltz Gallery at Otis College of Art and Design is pleased to present the exhibition Centennial: 100 Years of Otis College Alumni, on view September 7 – December 7, 2019. An opening reception will take place Saturday, September 7, from 5-8pm, open and free to the public.

Los Angeles Times: How guerrilla art on the streets of South L.A. confronts scars from the 1992 riots

By Makeda Easter

Artist Juan Capistrán was a teenager on an afternoon bus ride from Venice to his home in South Los Angeles when the 1992 riots began. Even though Capistrán noticed passengers were increasingly upset the further east and south his bus traveled, it wasn’t until he was nearly home that he learned a jury had acquitted four police officers in the beating of Rodney King.

Los Angeles Times: Los Angeles has new library card art

The Los Angeles Public Library on Friday released a new card design: a mythological Japanese child of superhuman strength whose fiery red body is attired in Dodger blue.

The art is the work of Gajin Fujita, a Los Angeles artist known for merging contemporary street art with the centuries-old style of Japanese ukiyo-e woodblock prints. His card artwork centers on Kintaro, the folklore character also known as Golden Boy, usually depicted wearing a bib with the kanji character for gold. “I gave him a twist,” Fujita said.

New York Times: Building Coachella’s Giant Art

Over the weekend, there’s a good chance your social media feeds were flooded with photos and video from Coachella.

Over the past two decades, the music festival has become a kind of unavoidable cultural juggernaut, famously spawning not just scores of imitators, but also an entire season on the fashion calendar. 

Artforum Critic's Pick: Kenzi Shiokava

Most of Kenzi Shiokava’s sculptures consist of organic matter, like bark and dragon-tree fronds, combined with found materials, such as chicken wire or brooms. In Untitled (Urban Totem Series), 2000, an upright railroad tie narrows into two sharp prongs at the top. Of a similar shape, Untitled (Urban Totem Series), 2005, was carved from a discarded telephone pole. Each sculpture resembles a statuesque humanoid form.

DesignLA: Otis at 100

Two days before Christmas in 1916, Los Angeles Times publisher General Harrison Gray Otis gifted his Wilshire Boulevard home—aka The Bivouac—to Los Angeles County so it could be utilized “continuously and perpetually for the Arts and advancement of the Arts.” In September 1918, when the Otis Art Institute opened its doors as part of the Los Angeles Museum of History, Science and Art, it became the city’s first art school.


Darel Carey's Masking Tape Masterpiece

What do the U.S. Air Force, tattooing icon Kat Von D, and masking tape have in common? They each play a crucial role in Otis College alum Darel Carey’s journey as an artist. Growing up in Colton, CA, Darel loved to draw, but never considered it for a possible career. After high school he ran into a friend who had a similar artistic streak. She told him she’d just started tattooing and that he should try it too.

Los Angeles Times: Judithe Hernández’s ('74) Latest Exhibition

Lotería is to the pastel drawings of Judithe Hernández ('74) what the I Ching was to John Cage’s avant-garde music after World War II or the “Three Standard Stoppages” were to the Dada objects of Marcel Duchamp a century ago.

New York Times Style Magazine: In the Studio with Eduardo Sarabia

Many artists claim that their work is multidisciplinary. But Eduardo Sarabia’s (BFA Fine Arts '99) varied practice includes painting, sculpture, mezcal making and even treasure hunting. “There’s a lot of fantasy and imagination involved in my work,” he says, seated in his studio on the first floor of a 1950s industrial building in the Zapopan district of Guadalajara, Mexico. He shows me the handcrafted, blue-and-white Talavera-style ceramic tiles he’s produced for an upcoming solo exhibition in Antwerp, Belgium.

Los Angeles Times: Painter Gajin Fujita keeps his norm-violating spirit

At the summit of a steep incline in Elysian Heights, past an unassuming gate, down a slightly dangerous walkway, you’ll find a concrete landing that serves as the plein-air home studio of Gajin Fujita.